Mykel Checks To See If He Can Still Do It! (MRR 335, May)

You're Wrong 
An Irregular Column

Column for MRR 336

May 2011

by Mykel Board

aka  Mykel Checks
To See If He Can Still Do It!

 

"My prayer for the women of the next millennium: have hard hearts; and
learn how to kill.” --Andrea Dworkin

“Nursing is great, Mykel.” Donn tells me. He turns to Gwera.  Should we tell him the bowel story?” he asks, before going ahead anyway.

 “This is so wonderful,” he continues. “We had this guy... an old guy... street crazy... really just a poor street bum... never saw a doctor... no teeth... scraggly gray beard... came in screaming. Stomach pain... horrible nausea. Later we find out he has an obstructed bowel... like a knot in your lower intestines. The shit can't get through. It builds up... then backs up.”

I nod like it happens all the time.

“Course, the guy has to eat,” says Donn. “And if you eat, the food turns to shit. And the shit goes down the large intestines. But it can't come out... it just piles on the old shit already down there. The guy eats more. That turns to shit and piles more on the old shit. Pretty soon it backs up into the small intestine... like traffic in front of a bridge toll... in rush hour.”

 Uh oh. I think I know what's coming.

 “That small intestine is pretty long... about twenty feet... big as a house...still, there's a limit. It fills up...after the small intestine comes the stomach... This guy is there...on the gurney... dressed in hospital drag. He starts to gag... rumbling from the stomach... his neck muscles tighten... relax... tighten again... gray cheeks bulge... I get the puke tray... put it next to his head... Then it comes out. This huge brown turd... solid... like a junkie turd...right from his mouth... he's puking shit... backed up from his stomach...”

I feel like puking shit myself.

 “It's not only one turd,” he continues. “It's a series... each more viscous than the last... mixed with more stomach juices... digested... redigested... Gobs of brown coming from this guy's mouth.”

 I begin to taste my just-eaten tortilla... again.

The speaker is Donn, drummer of Sin Arte. He's a also nurse here in Arizona. Donn used to live in Connecticut. He's an old timer from the 80's hardcore scene. He tells me we met at The Anthrax, before you were born. I forgot his band then. Citizen something or other I think. He's a funny guy, with my kind of sensibility. Besides being a nurse, he's a punkrock drummer in Tucson.

Before we get to the plot, you'll need to know some other characters in this story. I introduced them a couple months ago. Here's a quick review. Gwera's real name is Berenice, she looks Irish and comes from Northern Mexico where the “GU” sound is pronounced like a W. (Like Where a?) Add to that, she's a great guitar player. Add to that she's smart and attractive.

 Then there's BEEF, a big white guy who's a great cook. You met him in an earlier column too. Beef is not in Sin Arte, my band for this trip, but he plays a part in the story. You'll see later.

Ivan is not Russian. His full name is something like Ivan Restokovich, but he's Mexican. More than one immigration agent accused him with the legal equivalent of “you're fucking with me,” when he gave his name. You also met him before, in an earlier column. He's the bass player for La Merma, maybe the most famous band from Sonora... the North Mexico state where the Sin Arte tour did not take place. (You can read about my Mexican adventures in my travel blog  mykelsdiary.blogspot.com.)

While I was in Mexico, Ivan got kicked out of his Nogales apartment and had to move in with Gwera. Not a bad had to, if you ask me. 


The original plan: My Mexican friends have decided to put together a tribute band. The tributee? Me! Or at least my old band ARTLESS. They'll learn ARTLESS songs. I'll sing. We'll play half a dozen shows in Mexico and a couple in Arizona. The
new band, called Sin Arte, will tour with Cojoba, a Puerto Rican band based in New York. Together, we'll play with a buncha Mexican bands, many of them on the revival circuit, getting
back together just for us. Yowsah!

Having encouraged a boycott of Arizona for its ethnic cleansing law...requiring the police to stop and ID anyone suspected of being an illegal immigrant, I'm a little hesitant to play in Arizona. My image is a place filled with intolerance. Anyone a different race? Ship 'em to Mexico. Different ideas? Ship 'em to California.


Gilberto assures me that I'll be playing with Mexicans, so it's okay. AND, in Southern Arizona I'll be playing FOR Mexicans, so it's even better. In the tug of war between ego and morals... morals loses. I agree to do the tour.

As it turns out, Sin Arte listened to ARTLESS songs only “once or twice,” and never rehearsed them. Also as it turns out, every show in Mexico is canceled. Why is a long story. It's in the blog.

That leaves two shows. One in Tucson. One in Flagstaff. The Tucson show is at The Dry River Collective. The one in Flagstaff is at The Infoshop. Both spots are alternative.

Being alternative, I figure both places will be pretty intolerant. That means I'll have the first chance to really piss off a live audience since Artless quit playing in 1998. I wonder if I can do it. Do I still have my chops? Maybe I lost the devil inside... like Mick Jagger in Performance.

We have time for one rehearsal. Four ARTLESS songs: Aahrg, We Want Nuclear War, Do the No, and Beer is Better Than Girls Are... The last is our “hit.” It's a satire on those poor guys who can't get laid and drown their sorrows with the sorry excuse beer is better anyway. I took the words from an old poster/t-shirt... been around for years... I just made it rhyme. That one, the PC folks should actually like.

I figure I gotta change the other song names. Make 'em more offensive. It's punkrock and nobody can understand the lyrics anyway. We Want Nuclear War becomes Bombs, Not Food. Aahrg! (that's the only word in the song) becomes Mata Los Gringos (apologies to NOFX). Everything else stays the same.

 

FLASH AHEAD: We enter DRY RIVER. It's empty... except for a not-so friendly women at the door. She's tall and skinny... died black hair and a severe Nurse Ratched face. I'm surprised to see that Beef is also here... hanging outside... having a smoke with some locals. 

“Yo Beef!” I say. “Wachu doin' here? Come to see us play?”

“Mykel,” he says, “I'm playing tonight... with Pop Gestapo. We're opening for you. Same band... only me singing instead of you.”

Walking up the street is Cojoba. Javier has a shopping bag full of Tecate beer. He hands me one. He hands one to Beef. He hands one to this sixteen year old kid with a skateboard. He hands another to this attractive boy in very short shorts.

Nurse Rached comes to the door and taps him on the shoulder. “Sorry,” she says, “but we can't allow drinking here. The police will shut us down.”

He stops... for a minute or two... then starts handing out the beer again. Aaaaaoooogah! It'll be a club full of drunken' 16 year olds. Yeah!

Inside, I set up the merch table, then look around the crowd. There are a couple femmy white boys in short shorts with skull make-up painted on their faces. I wonder if it's a local fashion. Then I remember today is Day of The Dead. For dead adolescents, they sure look good! Let's hope Javier can get them drunk enough.

Inside, there's no stage, just a floor area... marked off with amps at one end and a drumkit at the other... punkrock.

Slowly, more people come into the club. Another guy with a bicycle and skull make-up. Several girls in wool sweaters... torn at the sleeves. A group of youngsters: a girl with a short purple dress over bright red tights, a muscular blond boy, and the only colored guy in the place (besides Cojoba's drummer)... a good-looking skinny boy about 18.

By now there are about 50 people inside-- not a Mexican among them. At the door waits a jar for contributions. People pay (or don't) what they want for the show. It's voluntary... depends on good will. Not much goes into the jar.

Ok, it's time for Pop Gestapo... a buncha noise and Beef. Beef sings between sips from a glass of water. There's a little moshing. Then come the fire crackers... then the smoke bomb... rolling along the floor... spewing gray smoke... some people run... others laugh... there's shouting.

A guy... scraggly beard... long hair... young Jesus type... comes up to Beef and shouts at him.

“Okay,” he says, “the show's over. Pack up. Go home.”

Beef starts to argue with him. Nurse Rached joins the fray.

“You're jeopardizing the space,” she screams.

“It's only a smoke bomb,” says Beef, sipping from his water glass. “It's harmless.”

“YOU'RE JEOPARDIZING THE SPACE,” she screams louder.

Beef pours the remaining water, about half a glass, over her head. Then he walks out.

Next up is Cojoba.

Club Gestapo is already pissed at Javier for giving away free beer. But seeing as the band sings in Spanish, and has Hispanic (and one Negro) members, the Dry River politburo lets them play. And even thanks them. They do a fine set.

And then it's us, Sin Arte.

Mata Los Gringos has the crowd moshing, as does Bombs, Not Food. Then it's time for Beer, the paean to guys who can't get laid.

No matter how cunning their stunts... with a girl there's that time of the month... the difference of course with a beer... it's good every day of the year...

The crowd stops dancing. Over on the right, the young moshers are standing and smiling. Nurse Rached and her pals stand, arms folded. They are not smiling.

Beer is better than girls are... I don't care where their little curls are... when you're out with the boys at a bar... a beer will wait in the car... yes a beer will wait in the car.

The cool thing about this song is that it's orchestrated so you can hear all the lyrics. No music during the verses, light Omm Pah Pah, German bar music during the chorus.

A beer will give you good head... it goes down easy in bed...

Screaming comes from somewhere. I can't make out the words, but they don't sound very friendly.

Handle it, it won't say Stop it... You know if you're the first to pop it...

“Stop the song. Stop the song now!” comes the screaming voice. It is not from Nurse Rached, but from another girl, tall, skinny, wearing a black and white knit sweater and a tuke.

I continue, The label comes off with no fight... it doesn't say headache tonight.

“Stop it! Stop the song!”

 

I hand her the microphone. Creatively, she screams into it.

 

“STOP IT! STOP THE SONG!”

Then, the same guy who talked to Beef walks up to me. “Okay,” he says, “the show's over. Pack up. Go home.”

He must say that a lot.

I think, “Yes!! I can still do it. I can get us thrown off stage. I've still got it!”

Donn has it even better.

“Wow!” he says. “Thrown off the stage twice in less than two hours. Wadda great night!”

As we pack up, the three young moshers come over. The colored guy says, “You guys were great. Too bad those people can't put up with another point of view.”

Each of them shakes my hand and tells me what a good time they were having. I'm thinking, “maybe not all Arizona non-Mexicans are bad.”

“We're from Utah,” says the colored guy. “We want you to come and play. We won't throw you off.”

They came special to the show... to see us. From U-fucking-tah!! I love 'em!

But Arizona? Arizona is fucked. If you go there (you shouldn't!), hang with Mexicans... or Donn or Beef. Other whites are... I donno... just bad. Flagstaff will change my mind about the state... a bit. But I don't have space to tell you about that show. You'll have to wait for the blog.

The bottom line:

DO NOT PLAY at DRY RIVER in Tucson. They are worse than a bunch of Christians in their censorship. With the sense of humor of a cancer patient, they prohibit what they don't like... without even understanding it. If you play there, you will support intolerance as bad as any xenophobic Arizonan on the street.

DO PLAY at THE INFOSHOP in Flagstaff. Although in Flagstaff, I think of it as a kind of Navajo reservation. It is NOT really Arizona. The Navajos who run the place have a punk band of their own, Let The World Die. They are as open-- and friendly-- as a box of puppies-- terrific people. See 'em! book 'em when they come to your town! And if you're passing through Flagstaff, play at their club. Then get the hell out of the state.

ENDNOTES: [email subscribers (god@mykelboard.com) or website viewers (www.mykelboard.com) will get live links and a chance to post comments on the column]

-->Of course my last column, about the Jews and the blood libel was my annual April Fool's column. Don't worry George, I'll never reveal the REAL SECRET of the Jews.

-->He's right dept: Sid Yiddish, my pal and proof-reader, complained that I was being unfair to white Arizonans who oppose ethnic cleansing and are pretty decent people. These W.A.'s include Sid's parents. He's right. Roger Armstrong also lives in Arizona. And he's a pretty cool guy. The state still should be boycotted, but the residents should not be 100% condemned.

[Because of it's excessive length, (there's a phrase I rarely hear!) we've cut some endnotes from this column. They'll be in the next one.]

-end-

more than you'd ever want to know about Mykel Board can be found here

YOU AREN'T SUPPOSED TO KNOW (MRR 335, April)

You're Wrong

An Irregular Column

by Mykel Board

Mykel's Column for MRR 335, April, 2011

---------------- 

Let us, however, in our plans, direct our attention not so much to what is good and moral as to what is necessary and useful. --Protocols of the Elders of Zion

“And you're just going to tell everyone?” he asks. “Pretty soon word'll get out.... Ruin everything... It would destroy thousands of years. Let me tell you: Forget it! Only don't come running back to me. Once you do this, it's over. Like I said before, you won't survive.”

“I'm an old man, George,” I tell him. “I don't have much time left anyway.”

I'm talking with George Tabb. We're in the dressing room of The Continental. I'm there for Revival Two, the second annual reuion of ever-older farts. Downstairs is the dressing room. In a corner of that room, George and I talk about... well, you'll read it.

“After this blood libel thing with Sarah Palin... I gotta speak out.” I tell him.

“Ya gotta do what ya gotta do,” he tells me. “But you're destroying 5000 years of history in the process. It's worse than the holocaust. It might even lead to another one.”

I nod grimly. We hug. It's like we're parting forever. Maybe we are.

 

Flashback: The year is 1952. Six months before my bar mitzvah. As with every Jewish boy, it's during this time we're introduced to the wonders and mysteries of Jewishness. My parents have driven me to the synagogue.

“You won't forget today,” says my father as I get out of the car. Are his eyes wet?

It's early April, a week before Passover. An air of solemnity... awe... fear... blankets the inner chamber of the synagogue. There is no Hebrew school teacher today.... just the rabbi, Rabbi Alterkake.

Looking back, I guess he wasn't a very tall man, but to me, he seemed like a giant. A fierce looking face with a long gray beard and big eyebrows... two fat caterpillars above deep set eyes.

“Mykel,” says the rabbi. He speaks with a slightly Eastern European accent.... like my grandfather. His deep voice sounds like the voice of GOD.

“You will never forget today,” he says. “It is time for you to know what it really means to be a Jew. You might have heard whispers... rumors dismissed with a wave of the hand. Still, you wondered. Today you will know.”

If you've ever been inside a synagogue, you'll remember that on the Eastern wall, facing Jerusalem, is a tall boxlike structure. It's called an ark. It contains one or two scrolls... dressed fancy with chestplates and crowns. If you've attended a Jewish service, you might have seen the rabbi read from one. When not being read, the scrolls rest on velvet in the back of the ark.

Rabbi Alterkake takes me by the hand and leads me up to the ark. He removes the two scrolls and sets them on a stand. Then he reaches to the blue velvet. There is a snap or zipper or some kind of fastener. I'm not exactly sure. Whatever it is, he unfastens it and pushes against the wood underneath. It is a door. And it silently swings open.

On the other side, a staircase leads downwards. It looks unimaginably old... wooden... rickety... like those staircases in horror movies. The rabbi leads, entering the back of the ark and going down the stairs. I follow.

If this were a movie, the rabbi would have a candle in his hand. We'd be casting eerie shadows on the wall. It isn't. We aren't.

I'm not exactly sure where the light is coming from. There must be bulbs in the staircase ceiling that I don't notice. What I do notice is that the stairs end at a large door... like a giant refrigerator door... white, with a metal handle. Rabbi Alterkake pulls the handle and it silently swings open. We step inside a room.

It's dark. Before my eyes can adjust, the door swings shut behind us with a little whoosh! I feel like I'm in a church crypt... like those I read about in old European cathedrals.

As my eyes adjust I make out a very plain room: four concrete walls. On each of the four walls is a white scroll with a giant Hebrew letter on it.

 

Aleph, Peh, Lamed, Feh. And hanging from the ceiling in the center of the room is another giant Lamed.

In the middle of the room is a cross. It's on an alter, and it's big. Bigger than my 4 foot eleven inch self. A Christian cross. Why?

I wonder if the synagogue is constructed over an old church. But why did they keep the cross there? Why would the rabbi take me to visit it? I can't imagine what Jesus has to do with getting ready for a bar mitzvah.

We approach the cross, circling around to the other side... facing the Aleph on the wall.

It is not Jesus on the cross. It is a little boy... naked... tied to the cross beam by his wrists.

“This is the fate of the goyim,” says the rabbi. “God made us His chosen people. In every generation, the goyim have tried to destroy us. We survive because we respect God. We follow God's instructions.”

He walks to a shelf attached to the concrete wall, just to the right of the Lamed. On that shelf lies a huge pair of scissors-- like the Jewish tailors use to cut cloth in midtown New York.

“We survive,” continues the rabbi, “because we follow the rituals of our fathers... and our fathers' fathers.”

He walks up to the Christian boy... a blond kid, about five years old... Dutchboy haircut. The rope around his wrists is red with blood. He must've scraped the skin off trying to escape. His knees are about eye level to the rabbi.. His face wrinkles in fear. Tears smear his cheeks. His nose drips snot.

A small bucket lies on the floor, directly beneath the child. I recognize the Hebrew letters etched into the metal. One looks like a fiery N. I recognize it as Aleph, the first letter of the alphabet. The other is long, a bit like a P. It's the Hebrew Feh. 

The F-sound. I have no idea what they mean. They must be related to the symbols on the wall. It's all mysterious... foreign.

A drop of blood falls from boy's tiny wrists to the floor. The rabbi reaches up between the boy's legs. The kid tries to twist his knees to protect the tiny glands he will eventually surrender. Slapping the offending legs, the rabbi presses onward.

Pushing his right hand between the child's legs, the rabbi uses the scissors in his left hand to point to the bucket. Then he points to a spot on the cross, under the legs of the naked boy.

“Hold that here,” he says.

I lift the bucket and hold it where I'm told.

The rabbi's right hand is tight between the kids' legs. He hooks his fingers around the tiny testicles. He pulls and a horrible scream comes from the kid's mouth. Reaching up with the scissors, he puts the two tiny glands between the sharp edges, then presses the handle together. A worse scream issues from the child's mouth. Worse than anything I've ever heard.

That sound still haunts me, 60 years later. It was a scream like the pain of the world. A scream that pierces every bone, like the cold of a wet winter day. A scream that made my 12 and a half year old body tremble as if it were happening to me.

“And they think matzo ball soup is made from balls of matzo,” says the rabbi with a small ironic smile.

The scream dies to a whisper. A kind of sob/hiccup. The bucket I'm holding fills with the blood dripping from the open wound between the boy's legs. At first it's a torrent, splashing out, over my hands, onto my shirt. The torrent turns into a river. The river to a stream. The stream to a trickle. Time slows as the flow of blood slows. TICK... TICK... TICK... DROP... DROP... DROP. Eventually it's over.

The boy is quiet now, his naked legs covered in red rivulets, like a Jackson Pollock painting. The terror is gone from his face. It's almost like he's sleeping, his chin resting against his small chest. His skin is as white and pale as the paper I'm typing this on.

The rabbi walks to another shelf, this one next to the giant Alef. He takes a book from that shelf. It looks like The Koran. At least my 12 year old image of what the Koran looks like. The writing is certainly Arabic, not Hebrew. The book looks old-- but gilded... and holy.

He rips a page from the book and places on it the two little testes he's snipped from the goy on the cross.

He folds the paper around the glands and puts them in the pocket of his long coat. He then spits into the book, rubs it on the seat of his pants and puts it back on the shelf.

I don't know what happens to the little body. My guess is that it's taken down, and walled up behind one of those giant Hebrew letters. It's one of the many things I never find out.

I follow the rabbi back up the stairs. The blood of the little blond boy swishes in the bucket I'm carrying. Kerblub! Kerblub! Telmwirl! Telmwirl! It sounds like it's talking to me.

 

Tell the word! Tell the world! it's saying.

It's a scene that every Jewish boy has witnessed for the past thousand years. Two thousand. Five thousand. And until now, no one has ever told... or if they have, their reports have been ridiculed as blood libel.

Now you know. Blood it is. Libel, unfortunately, it is not.

ENDNOTES: [email subscribers (god@mykelboard.com) or website viewers (www.mykelboard.com) will get live links and a chance to post comments on the column]

-->Credit where its due dept: There are very few big internet corporations that I like... though I use them. Facebook is a privacy horror. Apple has turned itself into a God. eBay spawned the Meg Whitman monster. But sometimes, you've got to give credit.

    In December, the U.S. government got a court order demanding Twitter turn over information about people connected to WikiLeaks. The court order added a gag demand that prevented Twitter from telling anyone, especially the targets of the order, about the order’s existence.

    Instead of caving in Google-like, Twitter successfully challenged the gag order in court. Then they told the targets that their data was being requested. That gave the victims time to try to quash the order themselves.

     Twitter’s move comes as a ton of spineless companies, including PayPal, MasterCard, Visa, and Bank of America banned donations to WikiLeaks. Amazon.com voluntarily threw the site off its hosting platform, though there’s nothing illegal in publishing classified documents.

     By standing up for its users, Twitter showed guts and principles. Ten punk points for you, Twitter.

    Late news: maybe the kudos were awarded a bit too early! 

-->Did it happen to you? dept: If you have a website that has been threatened with a suit or received a letter asking that material be removed... there's help for you. A website called Chilling Effect (http://chillingeffects.org/) will help you stand up for your first amendment rights... and least the few you have left.

-->Telling a man by his friends dept: TV preacher Pat Robertson was told he may not have to testify in the war crimes trial of his business partner, former Liberian dictator, Charles Taylor. Robertson got ten percent of the profits of a Liberian company ironically called Freedom Gold. In 2003, Robertson pulled some strings for his pal by criticizing GWB for "destabilizing Liberia," which meant trying to get rid of the dictator. Robertson had made no such similar comments when GWB tried to get rid of another leader... Saddam Hussein.

-->Secular sectarianism dept: The French government has banned the burka in France. The excuse? "We're a secular nation." They have not, however, banned Jesus bling or mezuzahs on doorposts.

-end-

Mykel's home page is here

VIVA LA CORRUPCIÓN (MRR 334)

If you want to read more about Mykel's adventures in Albania, Mexico-- or life in General-- checkout Mykel's Diary For a look at the weird, the scary and the funny in real life, check out Mykel's Article's and Propositions.     

You're Wrong
An Irregular Column

Column for MRR 334
by Mykel Board

aka  VIVA LA CORRUPCIÓN!

Corruption is nature's way of restoring our faith in democracy. -- Peter Ustinov

I was gonna use this column to chronologically follow the last with my further adventures in Mexico. But despite my jock itch and whooping cough, I decided to hold off. I have bigger fish to fry.

 

Sometimes, events change the way you think. An epiphany, the Christians call it. A flash of insight that makes you realize something you've never considered before. Take corruption. I used to think it was bad.

Here are three stories:

Guaymas: (Northern Mexicans don't like to pronounce G's when they start words. So the town is pronounced Why Mas? I say, Why not?) I wasn't exactly in the middle of this adventure, but heard about it from Gilberto, who was.

Here's Story 1.

It's late. Sometime after the big punkrock show. There are weird laws in Mexico, as there are everywhere. Here, you're allowed to drink in the bar, but not in the attached music hall. After 10, you can drink anywhere. But, you can only buy beer retail until 9PM. After that you can only drink in a bar... until 10, when you can also drink in a music hall.

We'd just driven 15 or so hours to get to this town. From Tijuana. By now, beers are needed by all. While the early bands played, those of us not playing run back and forth from the bar to the band area. Sin Arte, the Mexican version of Artless, had to cancel. Ivan, the bass player, was evicted from his Arizona apartment earlier today, and had to move to Tuscon. It was gonna be our first show. Sad.

Some of us went out to stock up on booze before the stores closed. We hear there are a couple illegal places that sell after hours, but only Gilberto has the details.

I drink while Cojoba plays. Despite 38 seconds of sleep the night before, they play a good show. Also playing is one of my favorite bands in the world, VERBAL DESECRATION. I've probably already said it, but I'll say it again. Alan Jr., the singer, is one of the best performers in punk rock today. I could watch him all year.

Gilberto, who had driven the whole way, is enjoying beer number I can't count. I'm still racing back and forth from bar to stage, gulping from a can of Tecate in the bar and then racing back to see the bands. Gilberto disappears to buy some of that illegal late nite booze.

When he returns, here's what he tells me:

He's driving along the streets of Guaymas... no idea where he's going... completely sloshed... with a truck full of illegally bought beer. He's careening that pick-up truck right and left across the streets of the town, which is pretty much shut up for the night.

Sure enough: AAAARRR RAAAAARRRR WOOOOWOOOOWOOOOWOOO.

Flashing red and blue lights in the rear-view mirror. Uh oh. The cop gets out, flashlight in hand. He's not a big guy, slightly chubby, a bit haggard looking. I'll translate the conversation for the gringos.

Cop: You know why I stopped you?

Gilberto: I...uh... I... who? Where am I?

Cop: I think you were maybe having something to drink? And you maybe were buying it after hours?

Gilberto: I... uh... huh?

Cop: You know, I've had a long night. Just give me money for a cup of coffee and then get out of here.

Gilberto hands him 20 pesos (about $1.80). The cop shakes his head, gets back in the cop car and takes off. Somehow Gilberto finds his way back to the club.

Story 2. We've just been to a beach near Guaymas. Only Ray actually went in the water. The rest of us just took our shoes off and played with the scorpions in the sand. We were with Sabo, aka The Buddha of Guaymas. He's a really fat guy whose nicknames for everyone catch on immediately. Ray is Michael Jordon. I'm Pinche Viejo Marihuano, (loosely translated: Fuckin' Old Stoner).

The waitress at a seaside restaurant is Verijas Lilas (Purple Snatch). On our only free day, Sabo takes us on a tour of the area. He has his own pick-up truck. Moe and Ray ride inside, the rest of us in back. 

What a glorious trip! Riding in the back of a pick-up... 6 people, among the cactus and desert... Mountains and sea... Downing can after can of Tecate... Wow! Do I feel Mexican! Here's a toast to Mexico and Mexicans! We all raise our cans to the passing cars. It's a steep road from the beach to the highway. It takes careful maneuvering, quiet, sober, thoughtful. 

Then there's us.  

SLAP! Sabo hits the curb. We back up. BAALOO BAALOO! Some one leans on a horn behind us. We toast him too. We're off. Down hill. Seems like we're going pretty fast. Do the breaks work? SCREEEE!

BLAM! We're all thrown to the back of the truck. I manage to grab a kind of lead pipe that keeps me from being flung over the edge. I guess the breaks DO work. BLAM, we hit the curb on the other side. 

Careening through the street, toasting every cute chiquita and necktied businessman. Salud! Salud! (I try Potato Salud! but nobody gets it.) We all grab more beers. I don't know how they do it, but Mexicans have developed an endless sixpack, similar to the bottomless cup of coffee at IHOP. You take a beer out of the cardboard and there are still six beers left. It's magic! The beer just keeps coming.

Uh oh, we're suddenly in a land of strip malls: McDonalds, Walmart, everything except Taco Bell. Did we cross the border and not know it? We park in a parking lot. Sabo and Moe go into THE GENERIC GIANT SUPERMARKET to do some shopping. The rest of us wait in the lot, sitting in the back of the truck, continuing to exploit the endless sixpack. A car pulls up next to us. It's a black and white car, with lights on top. Uh oh. 

Three cops get out. Two short ones, about my height. One taller with heavy jowls and a bad complexion. 

Although Taina and Javier both speak perfect Spanish, they are Puerto Rican and their accents would stand out like a hard-on in church. Gilberto, our only real Mexican, gets out of the truck to talk to the cops. He speaks to the big one. I translate. 

Gilberto: Hello. Is there a problem?

Cop: You know there is a problem. You were all drinking. Where's the driver?

Gilberto: He went inside with a friend. They're going to buy groceries.

Cop: We can take you all to jail. If anyone is drinking in a car or drinking in public we have the right to take you to jail.

Gilberto: Come on. I'm Mexican. I know you can't do that.

Cop: Okay, you're right. But we can make trouble. We can wait for the driver and take him to jail.

Gilberto: I understand. How's a hundred pesos (about $9)?

The cop nods.

Gilberto hands him the money. The cops go on their way. And the party continues.

 

Story 3: Agua Prieta is a dusty Mexican town just across the border from Douglas Arizona... a dusty American town. It's where Gilberto's aunt and uncle live and it's now one of my favorite places in the world. According to Gilberto, it's controlled by the drug cartels. All the fancy restaurants, bars and clubs in town are owned by them. Gilberto's uncle owns the best “non-drug cartel” restaurant in town. You'll probably read more about this amazing city in future columns. It's filled with colorful characters, a great strip club, and the world's only BURGER QUEEN.

Right now, I need to introduce you to one of the colorful characters: Barichu. He's a tall handsome guy in his mid-20s. He wears a black leather jacket, is talkative, and notorious in this small town. His picture was on the front page of the local newspaper... under the headline: POSSESSED BY DRUGS? OR BY SATAN? The story tells how he started yelling at the police. As they surrounded him, he pulled out a plastic gun and shouted BANG! BANG! at them. In America he'd be dead. In Mexico, he got beat up and thrown in jail for awhile. Every cop in town knows the guy. He often suffers from black eyes and bloody noses.

One of the many other reasons I like him is he said to me “Mykel, tu eres una leyenda aquí.” A third reason is that he's known as “Sonora's GG Allin.” (Sonora is the Mexican state where this column takes place.) One of his more notorious tricks was to pound dried dogshit into a powder... and snort it. 

So it's the middle of the night. We've been at the strip club (boy, THAT'S a story), finished a couple buckets of beer, seen... well you'll hear later. Right now we're piled in Gilberto's rent-a-car. He's driving. There's me and Barichu in the back. Gilberto is in the front with Paige, a girl visiting from Boston, and another local guy whose name I can't remember. 

The town looks deserted. Good thing too, as we're skidding across the street, from side to side, like a stripper's hips against a pole. Up ahead is a red light. 

 “Go! Go!” shouts Barichu in Spanish. “There's no one around. Just go.”

“Er... I don't think that's a good idea,” I say. “Cops don't sleep at night. They may be looking for...”

Gilberto steps on the gas, ending me mid-sentence. FOOOOOOT. Right through the red light. And the next red light. And the next. Although it's physically impossible to drive both on the right and the left sides of the street simultaneously, Gilberto does it. I cover my eyes.

I do not cover my ears, however, and so hear the police sirens coming from behind us. I knew it.

We stop. Pull over. Lights flash in the rear view mirror. Gilberto gets out of the car.

Jeezus: drunk driving, running three lights, speeding. It'll probably cost us $20 to get out of this one. Then Barichu gets out of the car, yelling at the cops.

There's more shouting. Lots of Spanish words I don't know. What sounds like boots stomping in mud. Suddenly a cop gets into the driver's seat of our car, the place vacated by Gilberto. He wears no hat, but he does wear a turtleneck sweater. Pulled up high, the turtle neck covers most of his face. Everything except the eyes. He looks like a giant uncircumcised penis... the glans just peeking through, above the foreskin. With three of us in the car, he starts it and drives... somewhere.

“You're taking us home?” asks Paige.

Wishful thinking.

Without a word to us, the cop pulls over... somewhere. It's even more deserted than the already deserted center of town. He gets out of the car. A few seconds later, Gilberto gets in the car and kneels on the front seat.

“Barichu pissed them off. We got to get a thousand pesos together or we go to jail,” he says.

Barichu gets in the back seat. The rest of us pull out our wallets. I've got 300. The guy whose name I forget kicks in a couple hundred. Gilberto puts in what he has. Paige has no pesos, but throws in about forty U.S. dollars. Barichu yells at all of us. He has no money.

Gilberto counts what we give him. Twice. “I think we got it.” he says. “Let's hope so.”

Barichu yells at him.

Outside, there is more talking. Barichu gets out of the car again. Uh oh, this is gonna do it. I'm gonna spend the night getting buttfucked by the Frito Bandito. But no. They got their money. They let us go.

Barichu and Gilberto get back in the car. Barichu says he wants to move to Boston where Gilberto lives because the cops here always beat him up. I tell him that in Boston, they'd kill him. He doesn't believe me.

On the trip back to Gilberto's uncle's house, I think about corruption. Three times. In the U.S., each would've landed us in the slammer. We'd have to spend days in court, probably get licenses taken away, have a criminal record, spend thousands on fines and lawyers fees, and what do the cops get for their work? Bubkas.

In Mexico, we're stopped by the cops three times. All for legitimate reasons. It costs us a total of around $100 to get off. Every cent of that goes into a hard-working cops' pocket. We have no criminal records (at least not here in Mexico). No time in jail. That is corruption. And contrary to what I've long thought, I now say: VIVA LA CORRUPCIÓN!

ENDNOTES: [email subscribers (god@mykelboard.com) or website viewers (www.mykelboard.com) will get live links and a chance to comment on the column]

-->And they call it welfare dept: Former candidate for NY Governor, Carl Paladino, said he'd transform some NY prisons into dormitories for welfare recipients. "Instead of handing out the welfare checks, we'll teach people how to earn their check,” he said. “We'll teach them personal hygiene.”

 

-->I wonder if it teaches them personal hygiene dept: Democracy Now! reports that an LA country jail plans to use prisoners as test subjects for a U.S. military high-tech ray gun that cause extreme pain. Seeing as they're only prisoners, it doesn't really matter, does it?

-->Where rights are privileges dept: New Republic editor, Martin Peretz, said he wonders if Muslims "are worthy of the privileges of the First Amendment which I have the sense that they will abuse." He also wrote "Muslim life is cheap, most notably to Muslims."

     Seems to me that by writing that Peretz is abusing his first amendment rights.

-->But he's not cheap dept: David H. Brooks, the CEO of DHB, a body-armor company contracted to the US government, has, according to the NY Times, used company money to pay for pornographic videos for his son, plastic surgery for his wife, prostitutes for his employees, and a $100,000 American-flag belt buckle encrusted with rubies, sapphires and diamonds.

-->Who's abusing the first amendment? dept: Bryan Fischer of the American Family Association said that the US should have "no more mosques, period." Why? "Each Islamic mosque is dedicated to the overthrow of the American government."

-->Today's friend, tomorrow's prisoner(ask Noriega)dept: Jailed Afghan drug lord, Jama Khan, has been a CIA informant for years, The New York Times reports. He was paid large sums of money to provide information about the Taliban, Afghan government corruption and other drug traffickers. In 2008, Khan, described as the most dangerous drug lord and Taliban supporter, was arrested and transported to New York to face charges under a new American narco-terrorism law.

-->Letter reply dept: Last month(?) Naomi wrote a thoughtful letter about how there seemed to be a conflict between my complaining about child tobacco labor in Kazakhstan and my opposition to kiddie porn laws in the U.S. She said that since most children don't “consent” to be in porn and that they aren't paid for it, kiddie porn is slavery. Since I believe the letters column should be for readers, I didn't answer there. Here is my answer:

The reality of child porn is that most of it was made decades ago and is still being distributed. (By the way, the number one 

distributor of kiddie porn is the U.S. government... for entrapment purposes). There's no way of knowing if the kids consented or not. In the stuff that I've seen in Europe and Asia, the kids look pretty happy... like they're playing.

In any case, most of the images of children (family pictures, street snapshots etc)... in fact most images these days... are distributed without the consent of the person photographed. That's life without privacy in the 21st century.

Of course, I oppose people forced into doing things against their will, but I'd say a fuck of a lot more adults are forced into working jobs they hate than children are forced into doing something sexual for others to take pictures of. Capitalism is slavery. Most of us are slaves.

-end-

Mykel's personal website is here.

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